Bring dynamism to night-time cityscapes with starbursts and light trails

Shooting cityscapes at night can produce gloriously evocative images, but there’s always a chance that they can just look like over-exposed mistakes, too, with their various light sources resembling little more that shapeless patches of light. With some clever exposure management and use of appropriate kit you can create much more meaningful images that contain optical starbursts and light trails.

Canon EOS 5D Mk II, 24-105 mm zoom @ 28 mm, 13 secs, f/20, ISO 100
Canon EOS 5D Mk II, 24-105 mm zoom @ 28 mm, 13 secs, f/20, ISO 100 Just after sunset or before sunrise the natural colors in the sky can reflect the colors of artificial city lights. In this view of Moscow the deep blue of the sky enhances the coolness of the water and the shadows, while the orange glow echoes the street and vehicle lights.

Optical starbursts

Although you can buy a starburst filter, the easiest (and cheapest) way of creating these interesting highlight shapes, where rays of light appear to fan out around each light source, is to shoot at a small aperture, say ƒ/16 or smaller. The small aperture causes the light to flare at the point at which the iris blades in the lens meet, creating a distinctive “star” effect around point sources of light.

Canon 1Ds Mark II, 16-35 mm zoom @ 16 mm, 30 secs, f/16, ISO 100
Canon 1Ds Mark II, 16-35 mm zoom @ 16 mm, 30 secs, f/16, ISO 100

Usually, the number of “rays” formed for each star is equal to double the number of aperture blades in the lens, so if an aperture has six blades, there will be 12 rays. This technique doesn’t work with lenses that have rounded aperture blades, or when the difference in luminosity between the light source and the background is small, but it is very effective with manmade lights in night-time cityscapes.

Light trails

As well as setting the aperture to produce starbursts, you can use the shutter speed to add creativity to your nocturnal city shots, in this instance by shooting with a slow shutter speed so you record light trails left by moving elements such as cars and other vehicles. Shutter speeds of several seconds work really well, and long exposures such as this are a natural pairing to the small aperture settings required for starburst effects.

Canon EOS 5D, 24 mm tilt & shift lens, 13 secs, f/5, ISO 50 For this cityscape, a tilt and shift lens has been used to control the plane of focus, so the focus extends along the road, rather than across it. This emphasizes the light trails left by the passing vehicles.
Canon EOS 5D, 24 mm tilt & shift lens, 13 secs, f/5, ISO 50
For this cityscape, a tilt and shift lens has been used to control the plane of focus, so the focus extends along the road, rather than across it. This emphasizes the light trails left by the passing vehicles.

Extreme Exposure is David Nightingale’s guide to unshackling your photography and refreshing your approach to picture-making by taking a more extreme view of exposure. It shows you how to get the most from your camera and exploit its full creative potential, how you can shoot images that are impossible to see with the naked eye and deal with difficult exposure situations, and provides you wish pages of inspiration.
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Extreme Exposure, David NightingaleExtreme Exposure, by David Nightingale
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