Eight elements to visualise when composing your shot
Visualising how you want your photos to look is usually your first and most important step when taking them. Deciding on the story that you want to tell, and how you want to tell it, is something that you’ll start to consider before you’ve even picked up your camera. It’s about thinking about the backdrop, the light, what you want to enhance, what needs to be minimised, what draws people into an image, and what will make for a dynamic and drawing photograph.
For many photographers, when they look at a location the vision for their photos is instantaneous: they know what they want to do from the outset. However, it’s always worth taking a step back, giving yourself a moment, thinking about it, and trying to visualise your shot with a little more depth. Walk around the location and examine it from as many angles as you can manage. Where is the light coming from? Where’s the best light? What’s the best backdrop? How will light and backdrop interplay.
It might help to consider these eight different points when visualising and composing your shots.
Shadows
Is there an interesting shadow pattern that makes the scene more intriguing? If so, can you use it to enhance your photograph or emphasise it to bring something more to the shot? Is there repetition in the frame? Can you use this repetition to bring focus to your subject? Or can you use the pattern as a strong visual element in the photo? Are there strong leading lines in the frame that will strengthen the image? How can you frame the photograph to make the best use of those lines? Reflections can add a mystical or ethereal quality to images. Is there a potential reflection in the photograph that could make it more meaningful? Are there any natural dividers in the frame? How can they be used to make the photograph more dynamic? Are there strong colours and will they enhance (or detract) from the image? Is there a spot in the frame where there is amazing light? If you rotate your position and frame it differently, how will the light fall differently in the frame? Are there any elements in the frame that give the photograph a sense of place? Is there anything that speaks of the environment in which the photograph was taken? When you’re shooting weddings, in particular, you’ll find that the couple has likely chosen the venue because it means something to them. Maybe they adore the mountains in the background or one of them grew up by the lake. Perhaps it was where they met? Try to encorporate these environmental elements into the shots to show what makes it special. This PDF version retains the styling of the original print book.
Leading Lines
Reflections
Symmetry
Colour
Light
Environmental Elements
Stuffy, staged wedding photos are a thing of the past. Master modern wedding reportage and capture the true spirit of the event and the personalities of the couple and guests with Michelle Turner’s The Wedding Photography Field Guide. Get the latest information on digital gear, and a professional’s insight into the best techniques for covering the action. Whether you simply want to get great photos at a wedding you’re attending, if you’re breaking into the business, or you just want to refresh your approach, this book is full of useful advice making it essential reading for any wedding photographer today.
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The Wedding Photography Field Guide, by Michelle Turner
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